1. Hire a narrator who is either having throat cancer or is Soorma Bhopali suffering from asthma. The purpose of this narrator is to move the plot along by saying extremely long, cliche-filled monologues in an obnoxious, grating voice every 5 minutes. This narrator must also be an MBA from a highly reputed institute and must be well versed in management terminology. This is so that he is able to identify the best management procedures used by naxalite warriors when they are attacking their targets. (Sample dialogue:"Bukka ko maarne ke liye Ravi ne action team banayi" How very modern of you.)2. Every time the narrator speaks his dialogue, it must be followed by a montage of people getting killed. This step is critical because there has to be action and violence in a masala flick. Otherwise nobody would want to see the movie. Always make the means of your killing different, unique and very creative so your audience will feel involved in this movie. Any and all killing must done to the music of pounding drum beats and a singer ominously chanting random Hindi phrases or Sanaskrit shlokas repeatedly
CAUTION!!!!!!
Now, there is a chance that repeated use of violence in this manner will turn some people off or may bore some people to sleep. To avoid that, you can choose to replace this montage of people getting killed with a montage of people getting tortured or a montage of women getting raped.(The latter part is a brilliant innovation in the annals of Hindi cinema. You can just show women getting kidnapped, women in various stages of undress, women getting raped, then women getting killed/ dumped on the street. Why must there be dialogue at all during a rape scene? Even the legen-wait for it-dary auteurs of Hindi Cinema such as Kanti Shah always had the women shouting bachao bachao. )
3. Every montage of people getting killed must be followed by people speaking cliched statements on democracy, caste divide, economic divide, worsening state of law and order and any hot button issue. Every actor must have a crazy eccentricity or tic which would humanize them in the audience's eyes (Sample: Actor saying "Topic over" in Southern accented English at the end of each scene). The scene must be scored to the same music used in Step 2.
Note: The actors involved must all be males. Women are not allowed to speak in this movie unless they are agreeing in servile manner with the male characters or are a lady cop, in which case you get to shout dialogues about the role of cops not doing their jobs of protecting and serving the people until the villain tires of you and puts a bullet in your brain to shut you up.
4. Repeat step 1-4 until the movie is 2.5 hours long.
5. Now, you already know you have a hit product on your hands. And you know your audience will definitely want to see more movies about the same characters and milieu (Women rape montages and people- killing montages. Everyone would want to see more of that). So you shoot the sequel to this movie, Kill Bill style, and end the movie with a trailer of the sequel movie and announcing the release date of the sequel to the entire world (Rakt Charitra 2-Releasing 19th November 2010). This is so that frustrated mind-raped bloggers who have seen the movie and have hated it so much that they have put time and energy into pouring these frustrations out in a blog (like this one) would now have to shell out more money to see the sequel just to see how this miserable, pretentious train wreck will end.

